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Lotte Hoek

Lotte Hoek
Name
Dr Lotte Hoek
Title
Head of Subject; Senior Lecturer, Social Anthropology
Address
5.23 Chrystal Macmillan Building 15a George Square Edinburgh UK EH8 9LD
Telephone
+44 (0)131 650 6544
Email
Research Interests
Media anthropology, Sexuality, Visual Culture, Cinema, Urban Ethnography, South Asia, Bangladesh, Pakistan
URL
http://www.san.ed.ac.uk/people/faculty/lotte_hoek

See my research blog 'De Media Automatiek'

See my academia profile.

Fieldwork picture

Research Interests

  •  Anthropology of Media
  •  Visual Culture and the Cinema
  •  History of the Moving Image
  • Visual Arts
  •  Bangladesh, Pakistan, South Asia

Biographigraphical statement

I am a media anthropologist whose ethnographic research explores the nature of the cinema at the end and edges of film in South Asia. My monograph  Cut-Pieces: Celluloid Obscenity and Popular Cinema in Bangladesh (Columbia University Press, 2014)  is an ethnographic exploration of the practice of making and screening illegal sexually explicit celluloid (http://cup.columbia.edu/book/978-0-231-16288-3/). The book was awarded the 2016 Bernard S. Cohn Book Prize.

In 2013 I received an ESRC Future Research Leaders grant for the project 'The Ends of Modernism: Understanding the Political Uses of Modernist Art among Muslim Intellectuals in Bangladesh since 1952'. I am currently finishing a monograph based on this research that explores the nature of film appreciation as a social practice and asks how the art film has been a site for political contestation within Bangladesh.

My current research engages the places of the moving image within state practices in the history of eastern Bengal.

I received my PhD from the University of Amsterdam in 2008 and joined the University of Edinburgh in 2009.

Courtesy of the Bangladesh National Archive

Selected Publications

2019. with Sanjukta Sunderason. Journeying Through Modernism: Travels and Transits of East Pakistani Artists in Post-Imperial London. British Art Studies. Issue 13, https://doi.org/10.17658/issn.2058-5462/issue-13/hoek-sunderason

2019. When Celluloid Pornography Went Digital: Class and Race in the Bangladeshi Cut-Piece Online. Porn Studies. https://doi/full/10.1080/23268743.2019.1607539

2017. Mirrors of Movement: Aina, Afzal Chowdhury’s cinematography and the interlinked histories of the cinema in Pakistan and Bangladesh. Screen 57(4): 488-495.

2017. Film For Good: Can cinema produce social justice? Anthropology News 58(2): 3-4.

2016. Urban Wallpaper: Film Posters, City Walls and the Cinematic Public in South Asia. South Asia 39(1): 73-92.

2016. Revelations in the Anthropology of Cinema. Anthropology of this Century 15 (May).

2015. Cinema and the Melodrama of Nationalism. Himal Southasian 28(3): 66-77.

2014. Cross-Wing Filmmaking: East Pakistani Urdu Films and Other Traces from the Bangladesh Film Archive. BioScope: South Asian Screen Studies 5(2): 99-118.

2014. Cut-Pieces: Celluloid Obscenity and Popular Cinema in Bangladesh. New York: Columbia University Press.

2013. Blood Splattered Bengal: The Spectacular Spurting Blood of the Bangladeshi Action Cinema. Contemporary South Asia 21(3): 214-229.

2013. Killer not terrorist: Visual articulations of terror in Bangladeshi action cinema. South Asian Popular Culture 11(2): 121-132.

2012. Mofussil Metropolis: Civil sites, uncivil cinema and provinciality in Dhaka City. Ethnography 13(1): 28-42. Special Issue: Crowds and Conviviality: Ethnographies of the South Asian City, edited by Ajay Gandhi & Lotte Hoek

2010. Urdu for Image: Understanding Bangladeshi Cinema through its Theatres. In Shakuntala Banaji (ed.). South Asian Media Cultures: Representations, Audiences and Contexts. London & New York: Anthem Press.

2010. Cut-Pieces as Stag Film: Bangladeshi Pornography in Action Cinema. Third Text 24(1): 133-146.

2010. Unstable Celluloid: Film Projection and the Cinema Audience in Bangladesh. BioScope: South Asian Screen Studies 1:1.

2009. More Sexpression Please! Screening the Female Voice and Body in the Bangladesh Film Industry. In Birgit Meyer (ed.). Aesthetic Formations: Media, Religion, and the Senses. New York: Palgrave Macmillan.

Topics interested in supervising

I am interested in supervising PhD applicants with research projects relating to any of my research interests.

If you are interested in being supervised by Lotte Hoek , please see the links below for more information:

PhD in Social Anthropology; PhD in South Asian Studies; MSc (R) Social Anthropology; MSc (R) in South Asian Studies